Sunday, May 23, 2010

BLOG13: The Illustrated Man


The book that I have chosen is titled "The Illustrated Man" by Ray Bradbury, one of the most successful and influential Science Fiction writers of our time. Ray Bradbury was born on August 20, 1922 in a town called Waukegan in the state Illinois. Allegedly, Ray Bradbury was first inspired to write when a stage show magician pointed a sword at him and told him to "live forever". This command is What set off his fruitful career as a writer. At the age of 16 Bradbury began to publish Science Fiction stories in a local magazine. Having not attended college after High School, Ray Bradbury immersed himself in writing literature that we admire to this day. In 1951, Bradbury published What would become one of his most famous literary masterpieces "The Illustrated Man". This highly acclaimed collection of Science Fiction stories has inspired many musical works and cinematic adaptations like Elton john's "the Rocket Man" and 1967 film by the same title. "The Illustrated Man" is about a man who has been covered in magical tattoos by a witch from the future. It is said that the the man's tattoos are a curse because anybody that sees them goes mad after seeing of all of the terrible things that it shows happening in the future. The short stories in the book are actually a description of what is going on in the man's tattoos.

"The Illustrated man" Begins with it's first character which is portrayed as a traveler that is settling in for the night. The introduction of the first character is then followed by the Illustrated Man. This is the first archetype of the book, as the Illustrated Man is a mysterious, wandering outcast. The second archetype that we find in the beginning of the book is the magical witch that is mentioned. "The witch" has been a strong archetype throughout history and can be found in many other stories such as "Snow White" and "The Wizard of OZ". Other archetypes that can be found in the rest of the short stories in the book such as "the neglectful parents" from "The Veldt" and the father from "The Rocket Man". In both stories the parents either choose to neglect their children or are forced to do so (The Rocket Man) by their profession; an ironic point to be made a bout the future in a book that was published in the 50's because that is a very real problem that modern society faces today.

A major theme in this book is the dangers and lure of story telling. At first, the man that is conversing with the Illustrated man is not aware of the moving images on the mans body and is warned to stay away from them but he i as captivated by their beauty and then gets completely immersed in them. This is very true with story telling because a lot of times we are most captivated by what is labeled dangerous and still we seek it. Another re-occurring theme in this book is the dangers of abusing technology. Almost in every story in this book, technology plays a major role; this is true for "The Veldt", "The Rocket Man" and "Kaleidoscope". In "The veldt", the parents forget about the children and toss them in to the virtual playroom and in "kaleidoscope", the men are traveling through space and because of an accident, are tossed out of their spacecraft into the openness of space. also, acceptance of death is a big theme, specially in "kaleidoscope". It is a very powerful thing when all hope is tossed out of the window and idea of dying a slow death is pressed upon you. That is whats happens to the men in "kaleidoscope". after realizing that their is no chance of living they realize that death is imminent and just accept that as a truth.

Their are also many symbols scattered through out this book. the most obvious of all is the tattoos on the illustrated man. These tattoos represent the lure and dangers of story telling. Another symbol in this book are all of the rockets that are mentioned throughout the stories. The rockets represent the the dangers of space travel and the captivation that in enthralls. also, the highway from "the highway" is a very important symbol. The main character from this book, Hernando, lives in in a poor abode by the high and sees all of these fancy cars passing him by; the highway represents modernity and the world itself that is passing Hernando and his family.

This fantastic masterpiece by Ray Bradbury definitely deserves its crown as one of the most influential books of our time and will continue to be there with its wonderful symbols and warnings of the future of humanity.

SOURCES: [IMAGE] http://i.telegraph.co.uk/telegraph/multimedia/archive/00671/The-illustrated-man_671264n.jpg

http://www.raybradbury.com/

http://www.enotes.com/illustrated-man/q-and-a/list-all-character-illustrated-man-111687

Tuesday, May 18, 2010

BLOG 12

The approach that I am going to take with "Something Wicked This Way Comes" is going to be arcaetypal and symbolical. I will root out and analyze all of the symbols and archaetypes in this book. Since the book is a coolection of short stories it should have many diffrent archaetypes and symbols that have an underlying theme.

Monday, May 17, 2010

BLOG 11

The story that i have chosen is titled "Something Wicked This Way Comes" by Ray Bradbury. I am a big fan of Bradbury's works and am excited about the research and writing that i need to do for this blog entry. For this story i will do extensive research on the many parts that make up the story (plot, theme, characterization etc.). To do this research I will have to first read online articles on the novel and then, with that knowledge, I will read the book and analyze it thoroughly. I suspect that the book is about a little boy so i will assume that it leans towards the hero's quest when it comes to plot.

Tuesday, April 27, 2010

BLOG 10: REFLECTION

The hero's quest has been a very intersting topic to learn about. After doing reasearch and watching the interview about Campbell I have noticed that this hero's hourney applies to everything in life. everything is circular and everything pretty much goes through the same stages of life.

Monday, April 26, 2010

BLOG 9: "Alice In Wonderland" Hero's journey


The 2010 version of the Tale "Alice In Wonderland" is a perfect example of the hero's quest. In this film, every element of the hero's journey is addressed from "the call to adventure" to "the return of the protagonist" to their original world.

Alice begins her quest at a family party that she is being forced to attend. While at the party Alice spots the iconic white rabbit (call to adventure) that, in turn, leads her to the rabbit hole rabbit hole (threshold) that she ultimately falls through. After falling through the rabbit hole, Alice is greeted by a small door (second threshold) and a small potion. After using the small door to pass to another world, Alice encounters a myriad of fantastic and terrible creatures that are Actually hunting her (challenges) for some unknown purpose. Soon after, Alice meets The Mad Hatter (the mentor; played by a cracked-out Johnny Depp) that keeps her safe from the Queen of Hearts for a short period of time. After a brief meeting with the other weird creatures in the movie, Alice is captured and taken to the Queen of Hearts (Abyss). While in the castle, Alice is informed that she is supposed to be the savior of the people and that she must defeat the dreaded "Jabbawakee" (transformation). After the Epic/Lame fight with the Jabbawakee, Alice saves the people from the evils of The Queen of Hearts and is safely returned to her original world (return).

Although this movie was a terrible waste of film, it fits the outline of the hero's journey almost as if Joseph Campbell had directed it himself (unlikely).

Sunday, April 25, 2010

BLOG ENTRY 8: All the symbols in my poem

The poem that I have chosen is called “The Haunted Palace” by Edgar Allen Poe. This poem is riddled with symbols, each with a different meaning. A symbol is something that is meant to represent something else, especially in literature. For example, a fire in the middle of a room might represent the relationship that a family has. A symbol can be anything as long as it has some kind of meaning in the context of the story. Authors often use symbols as tools to give their writing more depth which allows the reader to feel stronger emotions and to connect more with the text. In this poem, Edgar Allen Poe uses many symbols to give the majestic palace more of a human look and for the reader to get a better feel of what’s going on in the poem.

To begin the poem, Poe begins by describing the valley in which the palace was built; he describes the valley as “green”. The color green can be viewed as either evil or as a symbol of life. Maybe this was foreshadowing of the evil that was going to overtake the castle. In the next line, Poe mentions “angels”; angels are placed to represent that there is something superior to man. In the context of the story this might hint at the spirits that now run the palace. In the next stanza, Poe uses the color yellow, according to the dictionary of symbolism yellow is usually a sign of warning. This interpretation of the symbol is appropriate because later hell breaks loose inside the palace. In the following stanza, a door is described as glowing “ruby”. This could possibly be a symbol for warning that there is something behind the door. The king is also mentioned in the next stanza, this is a symbol of authority, primarily because he is the authority of the castle. The color red is also used a lot throughout this poem. This color is made to be very emotional and full of power. The fact that it is being used so much in this poem might be to represent all of the action that is going on in this poem. This would not be a far fetched assumption because throughout the poem we are taken through the history of the palace from when it is described in the beginning as lively to when the king is being thrown out of the castle at is taken over by the spirits Next, towards the end of the poem the flow of the spirits through the castle door is described as a river. The mouths of rivers and doors are usually associated with each other because they are symbols of crossing over from on plain to another. To finish the poem off, Poe says that the spirits “laugh but smile no more”, this represents the great evil of these conquering beings because being that laughs but does not smile is not laughing for a god reason, its laughing because it takes joy in the damage that it is causing.
The symbols in this poem are a perfect example of the quality of Poe’s work. He used symbols to perfectly set the emotion for his writing.

Monday, April 19, 2010

BLOG 7: PRE-WRITING FROM "ALICE IN WONDERLAND"

FILM: "Alice In Wonderland"

HERO'S QUEST: The protagonist has a "home," a place that s/he thinks is normal, familiar, and common to others in his/her culture.


Call to Adventure
A normal occurrence motivates the protagonist to acknowledge an unknown aspect of his/her world, feel a restlessness with the constraints of his/her life, or find a new world that s/he was not aware existed.


Refusal of the Call
The protagonist chooses not to move forward in life because s/he chooses to not give up his/her position, power, ideals, goals, or responsibilities; the refusal is often based on his/her fear of the unknown and comfort in the familiar. Usually secondary characters support the protagonist's refusal.


Supernatural Aid
The inexperienced protagonist is provided a supernatural, guiding, and/or guarding character, or an instrumental item (sword, encouragement, etc.) to assist his/her step forward into the unknown.


Crossing the First Threshold
The protagonist moves out of his/her comfort zone and walks alone. S/he is confronted with an obstacle that must be overcome before s/he can fully enter the dangers of the unknown journey.


II: Initiation (By crossing the threshold, the protagonist's world is changed forever. A mental journey merges with the physical journey to result in a spiritual revelation of purpose and self.)

Road of Trials
The protagonist is tested and found vulnerable, but the outcome reveals a part of him/her that s/he did not know existed. The assistance given the protagonist under the "Supernatural Aid" section of "Departure" begins to come into play in the story, and s/he is not expected to face the trials alone.


Meeting a Soul Mate

(mother-figure)
The protagonist meets an ideal (in ancient myths a goddess; in modern stories a soul mate) and sees the possibilities of his/her journey. This supernatural, human, or symbolic ideal encourages him/her forward.


Overcoming Temptation

(father-figure)
Someone or something tries to destroy the journey itself. Often the destroyer has been sent by a larger evil to stop the protagonist. The protagonist is often misled, but eventually overcomes his lack of knowledge, prejudices, and fears as s/he grows in the acceptance of his/her role as hero.


Viewing the Whole Picture

(god-like)
The protagonist moves beyond the final terrors of change that are founded in his/her ignorance. S/he adds the spiritual element to his/her journey. The protagonist is still in the midst of the journey but s/he is now willing to accept what is required of him/her to complete the mission.


The Ultimate Goal (Treasure)


The protagonist becomes self-assured and often receives physical gifts and/or emotional rewards. Since personal limitations are broken, the protagonist can see the big picture not only in relation to him/herself but also in relation to others. The protagonist understands how the ultimate goal can be accomplished and the mission completed.


III: Return (Through the protagonist's ultimate sacrifice of self, s/he walks in an enlightened state.)

Refusing to Return
Although seldom a true refusal, the protagonist, who should return "home" with his/her powers, ability, or wisdom, remains isolated and often faces a death of sorts. Sometimes s/he prefers to live in the enlightenment than return to a "home" that might not accept the ultimate gift.


The Chase
The protagonist flees toward safety to thwart the attempts to take back the treasure, power, ability, or wisdom. Because the protagonist has changed, the chase characterizes his/her courage and confidence.


The Rescue
The protagonist is unable to save him/herself. Others help him/her return "home," which may deflate his/her ego, but since s/he sees the entirety of the mission, s/he understands the importance of what is accomplished.


Crossing the Return Threshold
The protagonist must face the evil or its leader and the realization that home is no longer a place but a state of being. Those in his/her past may not accept his/her new ability, power, or wisdom and may test it as a final trial to the protagonist.


Master of Two Worlds
The protagonist has the ability, power, or wisdom without limitations to relax in whatever world (physical, mental, emotional, or spiritual) s/he finds him/herself. S/he can adjust to who s/he was in the past and who s/he might be in the future.


Freedom


ELEMENTS OF THE HEROE'S QUEST IN "Alice In WONDERLAND:

1. Call to adventure: The White rabbit
2. Super natural aid: The Magic potions
3. First threshold: The small door
4. Road of trials: She is said to be destined to fight and kill the jabawakkee
5. Soul-mate (Mother): The White Queen
6. Over Coming Temptation (father): The Mad Hatter
7. The Ultimate Goal (Treasure: Alice is given the sword
8. The Return: Alice returns to her world after defeating the jabbawakee

Source: http://home.rmi.net/~seifert/id22.html